Soloist Lonnie Weeks describes his training and tells the story of his recent promotion, as well as gives insight into […]
Elizabeth Mateer, in her third season as a member of the corps de ballet, reflects on the roles she has enjoyed […]
Reserve Tickets By Cheryl A. Ossola Often not particularly melodic, with rapid-fire shifts in tone and tempo, Dmitri Shostakovich’s music […]
Arthur Pita’s Björk Ballet made a splash last year with spectacular props, Marco Morante-designed costumes, and music by Icelandic singer-songwriter Björk. Join […]
Scenic and Lighting Designer David Finn discusses his life and career along with his recent work for SF Ballet, Die Toteninsel. He […]
Join SF Ballet’s Jennie Scholick, PhD for a (not-too) deep dive into John Neumeier’s The Little Mermaid. Learn about it’s creator, the […]
Hans Christian Andersen’s stories have been the basis of many ballets—George Balanchine’s The Steadfast Tin Soldier, Bronislava Nijinska’s The Ice […]
When you think ballet music, you probably think Russian. Tchaikovsky, Glazunov, Stravinsky, Prokofiev: much of the greatest ballet music of […]
Cavan Conley describes his training and the beginnings of his professional career prior to joining San Francisco Ballet this season […]
Join SF Ballet’s 2019 Visiting Scholar Clare Croft, PhD for a talk on “What makes a ballet “American?” Several works on […]
San Francisco Ballet School Spring Festival will include works by Helgi Tomasson, Jiri Kylian, Marc Brew, and SF Ballet School choreographers.
Marc Brew discusses creating a new work, quicksilver, on the San Francisco Ballet School Trainees.
Composer Lera Auerbach on how a theremin illustrates the mermaid's voice in her score for John Neumeier's The Little Mermaid.
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