Ricardo Bustamante, Ballet Master and Assistant to the Artistic Director, discusses his role as one of the Ballet Masters for John Cranko’s Onegin. Bustamante shares with the audience what to listen to in the music, what to look for in the choreography during Tatiana’s Bedroom scene in Act I, and what to watch for as different relationships develop in Act II. He also talks about the Company’s touring and rehearsal schedule during the summer when the Company is not performing in the War Memorial Opera House.

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