Frances Chung, named a principal dancer in 2009, discusses the challenges and pleasures of performing the role of Kitri in […]

In this program, San Francisco Ballet performs three works by 20th century choreographic giant George Balanchine and focuses on the […]

<p>The company shows off its versatility performing the lush classicism of Rudolph Nureyev’s Raymonda Act III, the wrenching drama of […]

<p>This program features Symphonic Dances a world premier by emerging choreographer Edwaard Liang. Ballet Master Katita Waldo shares how a […]

Pascal Molat discusses his diverse and challenging roles – ranging from the comedic role of Sancho Panza in Don Quixote […]

The interview begins with a look at Program 7, an all-Balanchine evening. Soloist Garen Scribner discusses his roles in The […]

Professor Genné discusses the life of choreographer George Balanchine and his importance to the development of American Ballet. She describes […]

Ashley Page talks about the world premiere of his newly commissioned work, Guide to Strange Places. Page reveals his motivation […]

Ballet Master Ricardo Bustamante describes his role in working with a choreographer or stager in teaching a ballet to the […]

Principal Dancer Damian Smith discusses dancing Tybalt in Romeo & Juliet, including his approach to the character, learning to sword […]

In her seven years with the Company before she became a soloist, Courtney Elizabeth danced many soloist and principal roles. […]

Principal dancers Sarah Van Patten and Pierre Francois Villanoba described their growth in the title roles of Romeo & Juliet. […]

Fight Director Martino (Marty) Pistone describes the creation of the sword fights and other stage combat in Helgi Tomasson’s Romeo […]

Dance Educator Mary Wood interviews Principal Dancers Maria Kochetkova and Vitor Luiz Podcast: Play in new window | Download (Duration: […]